Council Area: Antrim & Newtownabbey

Against The Image: Photography. Media. Manipulation. 5

Ulster Museum, in partnership with Belfast Photo Festival 2022 have developed an exhibition which examines the authority of the photograph in our era of mass media and mass (mis)information.

The way we consume news and media imagery has evolved, with access to the world seemingly at our fingertips: is what we see the reality?
Artists are exposing this tension: between the truth of events and how they are presented. Responding to various global events and conflicts, the artists included in this exhibition challenge and expose photography’s highly subjective and mediated nature. They do this by subverting the medium itself -working onto the surface of, distorting, or otherwise manipulating images – to expose narratives that often go unseen or in some ways resist representation. In doing so, they encourage us to question what photographic practice is in the modern age and reflect on how we absorb media in our daily lives.

This exhibition is supported by The Northern Irish Art Network.

Against The Image: Photography. Media. Manipulation. 4

Ulster Museum, in partnership with Belfast Photo Festival 2022 have developed an exhibition which examines the authority of the photograph in our era of mass media and mass (mis)information.

The way we consume news and media imagery has evolved, with access to the world seemingly at our fingertips: is what we see the reality?
Artists are exposing this tension: between the truth of events and how they are presented. Responding to various global events and conflicts, the artists included in this exhibition challenge and expose photography’s highly subjective and mediated nature. They do this by subverting the medium itself -working onto the surface of, distorting, or otherwise manipulating images – to expose narratives that often go unseen or in some ways resist representation. In doing so, they encourage us to question what photographic practice is in the modern age and reflect on how we absorb media in our daily lives.

This exhibition is supported by The Northern Irish Art Network.

Against The Image: Photography. Media. Manipulation. 3

Ulster Museum, in partnership with Belfast Photo Festival 2022 have developed an exhibition which examines the authority of the photograph in our era of mass media and mass (mis)information.

The way we consume news and media imagery has evolved, with access to the world seemingly at our fingertips: is what we see the reality?
Artists are exposing this tension: between the truth of events and how they are presented. Responding to various global events and conflicts, the artists included in this exhibition challenge and expose photography’s highly subjective and mediated nature. They do this by subverting the medium itself -working onto the surface of, distorting, or otherwise manipulating images – to expose narratives that often go unseen or in some ways resist representation. In doing so, they encourage us to question what photographic practice is in the modern age and reflect on how we absorb media in our daily lives.

This exhibition is supported by The Northern Irish Art Network.

Against The Image: Photography. Media. Manipulation. 2

Ulster Museum, in partnership with Belfast Photo Festival 2022 have developed an exhibition which examines the authority of the photograph in our era of mass media and mass (mis)information.

The way we consume news and media imagery has evolved, with access to the world seemingly at our fingertips: is what we see the reality?
Artists are exposing this tension: between the truth of events and how they are presented. Responding to various global events and conflicts, the artists included in this exhibition challenge and expose photography’s highly subjective and mediated nature. They do this by subverting the medium itself -working onto the surface of, distorting, or otherwise manipulating images – to expose narratives that often go unseen or in some ways resist representation. In doing so, they encourage us to question what photographic practice is in the modern age and reflect on how we absorb media in our daily lives.

This exhibition is supported by The Northern Irish Art Network.

Inclusive Global Histories 6

Inclusive Global Histories is the start of a journey that Ulster Museum is taking towards decolonisation, diversity and inclusion.

Through this exhibition, Ulster Museum is re-evaluating its World Cultures collection, to better understand the complex global stories of some 4,500 items – how and why they came to be in Northern Ireland, the ways in which they connect to our audiences and what the options might be for these items in the future.

Working in partnership with others, Ulster Museum is re-examining its collections and sites and seeking to address racism and exclusionary practices. The aim is to help highlight and redress the injustices of the past and face up to uncomfortable truths. Through Inclusive Global Histories, Ulster Museum will bring marginalised voices and stories to the fore, exchange ideas, and learn from others to encourage mutual respect and understanding.

The exhibition is divided into three sections;

  1. Telling stories from the past
  2. Challenging our present
  3. Shaping our future

Special thanks to partners, African Caribbean Support Organisation of Northern Ireland (ACSONI), Belfast Multi-Cultural Association of Northern Ireland (BMCA), Active Citizens Engaged (ACE), Digital Benin, Devolving Restitution, Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS).

Inclusive Global Histories 4

Inclusive Global Histories is the start of a journey that Ulster Museum is taking towards decolonisation, diversity and inclusion.

Through this exhibition, Ulster Museum is re-evaluating its World Cultures collection, to better understand the complex global stories of some 4,500 items – how and why they came to be in Northern Ireland, the ways in which they connect to our audiences and what the options might be for these items in the future.

Working in partnership with others, Ulster Museum is re-examining its collections and sites and seeking to address racism and exclusionary practices. The aim is to help highlight and redress the injustices of the past and face up to uncomfortable truths. Through Inclusive Global Histories, Ulster Museum will bring marginalised voices and stories to the fore, exchange ideas, and learn from others to encourage mutual respect and understanding.

The exhibition is divided into three sections;

  1. Telling stories from the past
  2. Challenging our present
  3. Shaping our future

Special thanks to partners, African Caribbean Support Organisation of Northern Ireland (ACSONI), Belfast Multi-Cultural Association of Northern Ireland (BMCA), Active Citizens Engaged (ACE), Digital Benin, Devolving Restitution, Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS).

Inclusive Global Histories 3

Inclusive Global Histories is the start of a journey that Ulster Museum is taking towards decolonisation, diversity and inclusion.

Through this exhibition, Ulster Museum is re-evaluating its World Cultures collection, to better understand the complex global stories of some 4,500 items – how and why they came to be in Northern Ireland, the ways in which they connect to our audiences and what the options might be for these items in the future.

Working in partnership with others, Ulster Museum is re-examining its collections and sites and seeking to address racism and exclusionary practices. The aim is to help highlight and redress the injustices of the past and face up to uncomfortable truths. Through Inclusive Global Histories, Ulster Museum will bring marginalised voices and stories to the fore, exchange ideas, and learn from others to encourage mutual respect and understanding.

The exhibition is divided into three sections;

  1. Telling stories from the past
  2. Challenging our present
  3. Shaping our future

Special thanks to partners, African Caribbean Support Organisation of Northern Ireland (ACSONI), Belfast Multi-Cultural Association of Northern Ireland (BMCA), Active Citizens Engaged (ACE), Digital Benin, Devolving Restitution, Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS).

Great Glengormley Get Together

This events aims to bring people together from all areas to network and enjoy different cultures, food and entertainment in the centre of Glengormley.

This event is creating a shared and safe space in an area that has been seen as an interface. All age groups, local businesses, community groups and the general public are encouraged to join us on the 10th September for a fun day.

Providing a marquee for music, a place to chat and have a cuppa, things for children to do, stalls from local suppliers, food, musical entertainment and singing, a chance for groups to showcase the things that they do, a chance for local people to join in and celebrate the good things in their area and be part of the community.

Everyone is welcome to join the festival and celebrate all that community stands for.

Gathering – A night of Ulster Scots

As part of the  Cultural Expression programme funded by SEUPB in partnership with TIDES and Antrim and Newtownabbey Peace IV Partnership, Burnside Village Committee are hosting a night of Ulster Scots music, rhyme, song and dance.

Performances are supported by the Schomberg Society.  The event will be open to cross community participants on the Cultural Expressions programme and elected representatives.

Due to number restrictions, spaces for the wider public are very limited.

To book a place contact stephenscott7@aol.com

Inclusive Global Histories 5

Inclusive Global Histories is the start of a journey that Ulster Museum is taking towards decolonisation, diversity and inclusion.

Through this exhibition, Ulster Museum is re-evaluating its World Cultures collection, to better understand the complex global stories of some 4,500 items – how and why they came to be in Northern Ireland, the ways in which they connect to our audiences and what the options might be for these items in the future.

Working in partnership with others, Ulster Museum is re-examining its collections and sites and seeking to address racism and exclusionary practices. The aim is to help highlight and redress the injustices of the past and face up to uncomfortable truths. Through Inclusive Global Histories, Ulster Museum will bring marginalised voices and stories to the fore, exchange ideas, and learn from others to encourage mutual respect and understanding.

The exhibition is divided into three sections;

  1. Telling stories from the past
  2. Challenging our present
  3. Shaping our future

Special thanks to partners, African Caribbean Support Organisation of Northern Ireland (ACSONI), Belfast Multi-Cultural Association of Northern Ireland (BMCA), Active Citizens Engaged (ACE), Digital Benin, Devolving Restitution, Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS).